Michele Webber

Original Artwork by Suffolk Artist Michele Webber

Resources for my Weekly Students

THIS PAGE CONTAINS INFORMATION FOR STUDENTS OF MY REGULAR FRIDAY AND SATURDAY CLASSES:

SCROLL DOWN FOR
YOUR SCHEDULE, WHAT TO BRING, AND HOW TO GET THE BEST FROM THE CLASS

If you are interested in joining the art class please click here.

Summer 2017 Schedule

Fri April 21st  HORSES – In Charcoal and Conte

Sat April 22nd Faster than pencil, charcoal is perfect for capturing the movement of these beautiful animals. You may work on white cartridge paper, or on coloured paper with white conte crayon for highlights. I have cartridge/coloured paper to buy per sheet if you need it. You will need charcoal, a hard rubber is useful too.

 

April 28/29th  NO ART CLASS THIS WEEK: Venue(s) unavailable

 

May 5/6th       NO ART CLASS THIS WEEK: Venue(s) unavailable

 

Fri May 12th  PEN AND WASH – Sports equipment still life

Sat May 13th       A non-traditional still life this week, featuring sports equipment and shoes. Please bring watercolours plus either a permanent liner pen or dip pen and ink/pot. Some dip pens/inks available to borrow, also ink wells.

 

Fri May 19th  GARDEN SCENES – in Watercolour (Two week subject)

Sat May 20th       Probably my favourite subject, gardens with pots, statues and          plants. Two weeks to tackle this complex but very acheivable   subject. Please bring your usual watercolour kit.

 

Fri May 26th  GARDEN SCENES – in Watercolour (Week two)

Sat May 27th        A second week to work on your garden scene.

 

Fri June 2nd  SELF PORTRAITS  –  Pencil and Watercolour washes

Sat June 3rd Some people struggle with this, but think of it as an always available model you don’t have to pay. All people have flaws and all people have beauty so bring a small mirror with a stand (I will have some to borrow too) we will be using pencil and light washes of watercolour in a technique similar to pen and wash in order to (hopefully) capture a likeness.

June 9/10th   NO ART CLASS THIS WEEK: Venue(s) unavailable

 

Fri June 16th  BIRDS – in Coloured Pencils (Two week subject)

Sat June 17th      Coloured pencils are perfect for detailed work, although they can be time consuming. We will be looking at various techniques to get realistic bird feathers, soft blurred effects and crisp edged ones. Specialist paper or good quality cartridge is best.

 

Fri June 23rd  BIRDS – in Coloured Pencils (Week two)

Sat June 24th A second week to work on your bird picture.

 

June30th/

July1st          NO ART CLASS THIS WEEK: Venue(s) unavailable

 

July 7/

July8th           NO ART CLASS THIS WEEK: Venue(s) unavailable

 

Fri July 14th     PAINT-ALONG – Seascape

Sat July 15th  It is never my intention to make you paint ‘just like me’. However, I know that occasionally you find these useful. We will make a painting, step by step, with me demonstrating each stage before you. Watercolour incorporating wax resist.

 

Fri July 21st     CARTOON CHARACTERS – in Acrylic

Sat July 22nd  Many of you enjoyed the pop art last term, so whether you like    Asterix or Batman, a fun subject to paint in bright acrylics. You   may work on watercolour paper or box canvas/board.

 

Fri July 28th     LOOSE FLOWERS – Watercolour/Brusho/Bleach

Sat July 29th This week we will be making colourful flower paintings in loose     washes of watercolour and Brusho (available to borrow). We will     also be trying some exciting bleaching techniques. Please note I    will be sending you outdoors to apply the bleach, weather                        permitting, in order that the atmosphere remains breathable!

 




***END OF SUMMER CLASSES – NEXT TERM COMMENCES IN SEPTEMBER:  PLEASE ASK FOR A BOOKING FORM & SCHEDULE


What to bring each week:

For a list of basic equipment for attending my (or other peoples) art classes click here.

HOW TO CARRY ALL YOUR STUFF
(Stop using that Waitrose 'bag for life', you are going to lose your paintbrush through the hole in the corner one of these days)

You need two items:

1.  A portfolio     This handy item will allow you to carry your drawing pad or art board. They come in 'A' sizes and are available as lightweight semi disposable clear plastic, through to sturdy zip up nylon affairs.  Do avoid the heavy duty type with the metal spine and ring binder/pockets; they weigh a ton and are used by professional artists/illustrators to drag their work along to agents/galleries, you don't need one, get something lightweight and waterproof.

2.  A carry box/holdall    When I started painting I bought a special plastic artists' carry box. What a rip off that was, something similar for a quarter of the price is available in your local DIY store. Some of my students also make good use of those open top tool carriers favoured by tradesmen. With lots of compartments and a big handle they are very useful. *Tip: measure your longest paint brush before choosing your box. Cling film can also help you get your palette home without having to throw your colours away...


To get the best from the class:

Use big enough paper:  It is a myth that smaller is easier. You will find your ideal working size in time, meantime you can always cut your paper down, you can't make it bigger so give yourself the option at least of working big.

Choose your subject bravely!  There is always a scuffle at the start of class to find the 'easiest' subject.  I am here to disillusion you: no subject is 'easy', the simpler the subject the more the viewers attention is focused on it and the better the composition and execution needs to be. The best way to choose is the subject you feel personally drawn to. A subject can always be simplified, if the photo contains 80 boats you don't need to paint them all.

Make mistakes. This is so important. Staying within your comfort zone will teach you nothing, try something new,  have a go, throw yourself in. It is only a piece of paper, we have more...

Turn up at the start of class so you don't miss the talk/demo at the beginning! I am happy to see any of my students, but when you wander in after the end of the demo and then say 'So what are we doing?' my heart gives a little sigh... (See 'being on time' further down the page)


Paper available to buy at class:

In the past I was always happy to throw the odd sheet of watercolour paper in the direction of students who had forgotten theirs; but now with getting on for 50 regular students, plus one day course participants I am afraid I need to ask for a small fee to cover costs:

Per Sheet:

Cartridge Paper A3:   30p

SAA 'Practice' Watercolour Paper, Qtr Imperial: 50p

Coloured Pastel Paper, assorted sizes: 70p


Drinks available at class

Hot drinks are available half way through the lesson for the bargain price of 50 pence.

At both of my venues the following are available: Green Tea, Fruit Tea, Coffee, Tea. At Great Cornard the tea and coffee are decaf because I bring it in myself, at Colchester you will need to ask Angella or Richard if you need to know about caffiene. If you want something else, or a cold drink please just bring it along. Gin and Tonic will be unlikely to improve your painting though (!)


If you have to miss a class:

Every term someone asks hopefully if they could just pay for some of the lessons as they are on holiday or whatever. Unfortunately this is my livelihood and I pay for the venues regardless of who turns up. I need the classes to be full if possible so in that respect you are paying to retain your place as well as for the tuition. If I let everyone do this I would have half empty classes.

However, I do NOT want you to miss classes you have paid for so here is what I can do for you: If you can't get in to your regular class you can swap for that week, either the time of class or even for the other day/venue. In order to do this you must let me know in advance so I can make sure there is a place for you. If you are away altogether you are also welcome to take an extra lesson later in the term, for example you could do a full day by staying for both morning and afternoon sessions, the subject is the same for all the classes each week, but you could use the time to paint for longer on the same project.

I hope by being flexible in this way you will miss the absolute minimum of lessons you have paid for!


Being on time: a few tips...

It is not school, you have already paid me, it affects me not at all if you miss half the lesson. BUT if I have anything useful to say about the subject, a demonstration, colour mixing tips then this obviously needs to happen at the start of the class.  Plus, you have paid for this time, make the most of it! Yes I know the dog has just been sick, your sister is on the phone and your son has gone to school with your pencil plus the council have dug the road up; stuff happens (to all of us), and I would rather you came to class late than not at all. 

However, after 10 years of never being late to a class I am going to give you A FEW TIPS on how to do it. It's free advice and you are free to ignore it :-)

** Keep your stuff in a dedicated art box/portfolio: even today, with a studio, I still keep my paints in a carry box. Don't be running around every week looking for your equipment. Print off a list of the terms class subjects too and keep that in your box as well.

** Don't let your kids/grandchildren nick all your stuff: I once caught my daughter sneaking into my studio to get sellotape. When I asked her why, when I had bought her at least 8 rolls in the last year, she explained that she never knew where hers was, but mine was always in the same place.  Buy your kids their own stuff and tell them yours is off limits. Explain that if things 'disappear' from your box and they 'forget' to put them back, then the remote control for the Nintendo Wii/X-box will also 'disappear' and you may 'forget' to cook dinner.

** When you get home from class prepare for the next one straight away. Don't leave it until next Friday, you won't have time. Put what you need for next week in the box now, while you are still in 'art' mode, or at least put a big yellow post-it note on the fridge to remind you during the week of what you need to pick up.

** Don't spend 35 minutes looking for a putty rubber. Seriously, I have spare stuff, someone will lend you what you need, just walk out the door.

**Aim for early. If you struggle to make it by 10.30am, aim for 10am. I am generally there about half an hour before the start of any class; the worst that can happen is you will have a quiet 5 minutes in the car.

THE BENEFITS OF BEING EARLY:

You get first pick of the seating and subjects.

You may catch me practising my Kung Fu or Tai Chi. Despite the stupidity of taking up martial arts at my age, if I have any spare time I do a little practice.

You can chat to me about your work, and catch up with your classmates.

You won't miss any start of class chats/demos or ad hoc exhibitions of people's work.

*****Don't be that person who walks in 10 minutes after my start of class demo with painting tips and says "So what are we doing?" ! *****

Now Available!

My SAA Watercolours Starter Set, with my unique colour mixing guide.


Saa colour mixing leaflet & Paint Set

8 x 14 ml tubes of watercolour, storage tin and foolproof colour mixing guide to get you started with confidence!


Signed Limited Edition Giclee Prints of my work are available.

Local Views, Flower Paintings...

Orwell Estuary, Low Tide

and many other beautiful designs!