Michele Webber

Original Artwork by Suffolk Artist Michele Webber

Resources for my Weekly Students

THIS PAGE CONTAINS INFORMATION FOR STUDENTS OF MY REGULAR FRIDAY AND SATURDAY CLASSES:

SCROLL DOWN FOR
YOUR SCHEDULE, WHAT TO BRING, AND HOW TO GET THE BEST FROM THE CLASS

If you are interested in joining the art class please click here.

Autumn 2017 Schedule

 

Fri Sept 15th        ARCHITECTURE & RUINS –  Graphite Pencil

Sat Sept 16th       ***Plus watercolour paper stretching demo to prepare new students for the term ahead!

Back to drawing to start our new term, and a great subject for practicing tonal variations and texture. You will need white cartridge paper, a selection of soft pencils and putty rubber.

 

Fri Sept 22nd          GARDEN LANDSCAPES –  Watercolour

Sat Sept 23rd      Looking at some of the larger more formal gardens, including trees, topiary, statues and fountains. Please bring your usual watercolour kit.

 

Sept 29/30th        NO ART CLASS THIS WEEK: Venue(s) unavailable

 

 

Fri Oct 6th            CHRISTMAS CARD SCENES –  Watercolour

Sat Oct 7th      Many of my students like to get cards printed from their own paintings. Christmas subjects this week, photos provided. And if you don’t celebrate Christmas just consider it winter landscape practice.

 

Fri Oct 13th        PATTERNED CHINA STILL LIFE –  Tonal Acrylic Ink

Sat Oct 14th      Working tonally we will be practising a still life using only black or sepia acrylic ink and water. Please bring watercolour paper, ink, paintbrushes etc and a dip pen   (I have a few available to borrow).

 

Fri Oct 20th          AUTUMN FOLIAGE –  Watercolour and Collage

Sat Oct 21st       With leaves and foliage for inspiration we will be making some natural studies using both watercolour and collaged paper. Please bring your usual paints, plus scissors and pva glue. Collage papers supplied, but feel free to bring some too.

 

Fri Oct 27th          INSECTS AND BUTTERFLIES –  Coloured Pencils

Sat Oct 28th        A chance to work on a colourful, detailed subject in the medium of coloured pencils. Please bring coloured pencils, cartridge paper etc

 

Fri Nov 3rd           PEOPLE IN EVERYDAY DRESS –  Acrylics

Sat Nov 4th          Working from the subject of people from all over the world, in their natural environment. You may work on watercolour paper or box canvas/board. A limited amount of Acrylics available to borrow if you don’t have your own.

 

Fri Nov 10th         FOLK ART –  Watercolours and Watercolour Pencils

Sat Nov 11th       We will be using animals as a subject, and taking inspiration from folk art source books to work in a simple, stylised way to produce traditional decorative art. A limited amount of watercolour pencils available to borrow

.

Fri Nov 17th         BOATS –  Pen and Wash

Sat Nov 18th        A favourite subject in a fast, expressive medium. Please bring your usual watercolours in addition to a dip pen (I have a few available to borrow) and ink.                            

 

Sept 24/25th        NO ART CLASS THIS WEEK: Venue(s) unavailable

 

Fri Dec 1st           YOUR CHOICE –  Or complete unfinished work!

Sat Dec 2nd        For the last lesson of the year you may bring in work that you didn’t get a chance to finish earlier in the year, and I will help you take it to completion. Alternatively choose your  favourite subject and medium and start something new. Let me know if you need specific images or objects, or to loan particular equipment or materials.

 




***END OF SUMMER CLASSES – NEXT TERM COMMENCES IN SEPTEMBER:  PLEASE ASK FOR A BOOKING FORM & SCHEDULE


What to bring each week:

For a list of basic equipment for attending my (or other peoples) art classes click here.

HOW TO CARRY ALL YOUR STUFF
(Stop using that Waitrose 'bag for life', you are going to lose your paintbrush through the hole in the corner one of these days)

You need two items:

1.  A portfolio     This handy item will allow you to carry your drawing pad or art board. They come in 'A' sizes and are available as lightweight semi disposable clear plastic, through to sturdy zip up nylon affairs.  Do avoid the heavy duty type with the metal spine and ring binder/pockets; they weigh a ton and are used by professional artists/illustrators to drag their work along to agents/galleries, you don't need one, get something lightweight and waterproof.

2.  A carry box/holdall    When I started painting I bought a special plastic artists' carry box. What a rip off that was, something similar for a quarter of the price is available in your local DIY store. Some of my students also make good use of those open top tool carriers favoured by tradesmen. With lots of compartments and a big handle they are very useful. *Tip: measure your longest paint brush before choosing your box. Cling film can also help you get your palette home without having to throw your colours away...


To get the best from the class:

Use big enough paper:  It is a myth that smaller is easier. You will find your ideal working size in time, meantime you can always cut your paper down, you can't make it bigger so give yourself the option at least of working big.

Choose your subject bravely!  There is always a scuffle at the start of class to find the 'easiest' subject.  I am here to disillusion you: no subject is 'easy', the simpler the subject the more the viewers attention is focused on it and the better the composition and execution needs to be. The best way to choose is the subject you feel personally drawn to. A subject can always be simplified, if the photo contains 80 boats you don't need to paint them all.

Make mistakes. This is so important. Staying within your comfort zone will teach you nothing, try something new,  have a go, throw yourself in. It is only a piece of paper, we have more...

Turn up at the start of class so you don't miss the talk/demo at the beginning! I am happy to see any of my students, but when you wander in after the end of the demo and then say 'So what are we doing?' my heart gives a little sigh... (See 'being on time' further down the page)


Paper available to buy at class:

In the past I was always happy to throw the odd sheet of watercolour paper in the direction of students who had forgotten theirs; but now with getting on for 50 regular students, plus one day course participants I am afraid I need to ask for a small fee to cover costs:

Per Sheet:

Cartridge Paper A3:   30p

SAA 'Practice' Watercolour Paper, Qtr Imperial: 50p

Coloured Pastel Paper, assorted sizes: 70p


Drinks available at class

Hot drinks are available half way through the lesson for the bargain price of 50 pence.

At both of my venues the following are available: Green Tea, Fruit Tea, Coffee, Tea. At Great Cornard the tea and coffee are decaf because I bring it in myself, at Colchester you will need to ask Angella or Richard if you need to know about caffiene. If you want something else, or a cold drink please just bring it along. Gin and Tonic will be unlikely to improve your painting though (!)


If you have to miss a class:

Every term someone asks hopefully if they could just pay for some of the lessons as they are on holiday or whatever. Unfortunately this is my livelihood and I pay for the venues regardless of who turns up. I need the classes to be full if possible so in that respect you are paying to retain your place as well as for the tuition. If I let everyone do this I would have half empty classes.

However, I do NOT want you to miss classes you have paid for so here is what I can do for you: If you can't get in to your regular class you can swap for that week, either the time of class or even for the other day/venue. In order to do this you must let me know in advance so I can make sure there is a place for you. If you are away altogether you are also welcome to take an extra lesson later in the term, for example you could do a full day by staying for both morning and afternoon sessions, the subject is the same for all the classes each week, but you could use the time to paint for longer on the same project.

I hope by being flexible in this way you will miss the absolute minimum of lessons you have paid for!


Being on time: a few tips...

It is not school, you have already paid me, it affects me not at all if you miss half the lesson. BUT if I have anything useful to say about the subject, a demonstration, colour mixing tips then this obviously needs to happen at the start of the class.  Plus, you have paid for this time, make the most of it! Yes I know the dog has just been sick, your sister is on the phone and your son has gone to school with your pencil plus the council have dug the road up; stuff happens (to all of us), and I would rather you came to class late than not at all. 

However, after 10 years of never being late to a class I am going to give you A FEW TIPS on how to do it. It's free advice and you are free to ignore it :-)

** Keep your stuff in a dedicated art box/portfolio: even today, with a studio, I still keep my paints in a carry box. Don't be running around every week looking for your equipment. Print off a list of the terms class subjects too and keep that in your box as well.

** Don't let your kids/grandchildren nick all your stuff: I once caught my daughter sneaking into my studio to get sellotape. When I asked her why, when I had bought her at least 8 rolls in the last year, she explained that she never knew where hers was, but mine was always in the same place.  Buy your kids their own stuff and tell them yours is off limits. Explain that if things 'disappear' from your box and they 'forget' to put them back, then the remote control for the Nintendo Wii/X-box will also 'disappear' and you may 'forget' to cook dinner.

** When you get home from class prepare for the next one straight away. Don't leave it until next Friday, you won't have time. Put what you need for next week in the box now, while you are still in 'art' mode, or at least put a big yellow post-it note on the fridge to remind you during the week of what you need to pick up.

** Don't spend 35 minutes looking for a putty rubber. Seriously, I have spare stuff, someone will lend you what you need, just walk out the door.

**Aim for early. If you struggle to make it by 10.30am, aim for 10am. I am generally there about half an hour before the start of any class; the worst that can happen is you will have a quiet 5 minutes in the car.

THE BENEFITS OF BEING EARLY:

You get first pick of the seating and subjects.

You may catch me practising my Kung Fu or Tai Chi. Despite the stupidity of taking up martial arts at my age, if I have any spare time I do a little practice.

You can chat to me about your work, and catch up with your classmates.

You won't miss any start of class chats/demos or ad hoc exhibitions of people's work.

*****Don't be that person who walks in 10 minutes after my start of class demo with painting tips and says "So what are we doing?" ! *****

Now Available!

My SAA Watercolours Starter Set, with my unique colour mixing guide.


Saa colour mixing leaflet & Paint Set

8 x 14 ml tubes of watercolour, storage tin and foolproof colour mixing guide to get you started with confidence!


Signed Limited Edition Giclee Prints of my work are available.

Local Views, Flower Paintings...

Orwell Estuary, Low Tide

and many other beautiful designs!